01The reel
Tell me about the project.
I'll tell you what it takes.
Freelance video editing, color correction, and motion graphics. Eight years behind the cut for Weber, Pillsbury, and AstraZeneca. Quick turnaround.
02Selected work
Selected video editing work
16:9 · TV, corporate, brand
9:16 · Vertical social, sizzle
4:5 · Feed ads, recipe, sizzle
03What I do
Video editing
I cut social ads, organic feeds, recipe videos, corporate, commercials, and sizzle reels. From the footage you have, shot on anything.
Quick turnaround. Two revision rounds included.
Motion graphics
Titles, lower thirds, animated type, logo stings, captions. Built in the same timeline as the edit, so the type moves with the footage.
Color correction
Every cut I deliver leaves graded: cameras matched, skin clean, one look across the whole campaign. Available on its own for footage cut elsewhere.
Sizzle reels + channel packaging
Highlight cuts that sell a show, a channel, or a face.
04Turnaround and terms
Turnaround and terms.
- Quick turnaround.
- Two revision rounds included.
- Rush available.
- One flat number per project, priced from the brief.
- Taking projects now.
05Set change
Set change.
Sun Basket, "Food Makes Me Dance." Three social campaigns and a TV spot from one shoot. Produced, shot, edited.
In-house production, made on staff at Sun Basket
A couple sits down to eat. The kitchen pulls away, the light shifts, and the room becomes a party. Every hand and every hour that got it there, in nine steps.
06End credits
Clients and credits
Full credits· 11 rows
Staff marks a full-time role. Everything else was client work.
07How I work
How I work.
Eight years on both sides of the lens. I ran video at two venture-backed brands, Sun Basket and June Oven. Freelance video editor for the rest. Hand me the brief and the date and I carry the rest. Open to freelance projects and contract roles, remote or on site in Philadelphia and the Bay Area.
- I read every brief myself. You'll hear back the same day, almost always.
- I hit the date. CPG and pharma review included.
- The number in the quote is the number on the invoice.
After eight years of food brands, I still plate my own dinner like it's about to be shot.
08Questions
Before you write.
Can you cut from footage I already have?
Yes. Phone, mirrorless, cinema camera, footage someone else shot. Send what exists and I will tell you what it can carry before I quote.
What do you need to start?
A brief, your brand assets and colors, and the deadline. Rough is fine. I ask for anything else on the first call.
What counts as a revision round?
One consolidated set of notes on a cut, from everyone who needs to weigh in. Two rounds are included in every quote. A third is a flat add-on, named before it starts.
How does rush work?
Put the date in the brief. The quote says whether it is possible and what it adds, as one flat number, always.
Who owns the files?
You own everything: the finished masters and the project files. I keep the right to show the work in my portfolio.
How do you deliver?
Every cut and every final lands in Frame.io, where your notes go frame by frame. Formats and specs get set on the first call: 16:9, 9:16, 4:5, captions, broadcast.
Do you work with agencies?
Yes, white-label and unbranded when you need it. Retainers and monthly capacity are set on the first call.
09Send a brief
Send a brief
Tell me what you need made. Rough is fine.
Rather talk first? Book 15 minutes. Bring what you have.